But plugin editing, with its ability to adjust parameters of a given patch, really redefines what’s possible. So, I’d say that’s the first and most important feature of the system for me. “Obviously, the preset browse function is like night and day. He quickly found that he was able to achieve things he’d not thought possible. Because of the accessibility features, I have a better understanding of the terminology involved in manipulating sounds, which also improves my ability to communicate when I’m not the one doing the tweaking.”Īfter hearing British keyboardist Andre Louis’ demonstration of KOMPLETE KONTROL’s accessibility features, Kern was eager to try out the system. In the past, it was often frustrating and discouraging to verbalise the specifics of the sound designs that go on in my head. ![]() ADSR life - that’s a very big deal for me. My ‘eureka’ moment was when I realised I could tweak my own sounds. “I was floored due to the detailed features and excited about the amount of control I had over the sounds without having to communicate to a sighted person to do it for me. “To call it a ‘game changer’ simply doesn’t do it justice.”īarnes found that whole new musical worlds opened up to him when introduced to the system. “I don’t think anyone expected the breakthrough that KOMPLETE KONTROL would represent to visually impaired users,” says Kern. So when the artists first tried the accessibility features in KOMPLETE KONTROL, it was, to put it mildly, revolutionary.
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